The title "Oroboro" is a palindrome: it reads the same from left to right and from right to left. The work itself is constructed in the same way: six facial profiles carved into the relief look in both directions—like reflections in one another, as in a mirror of time. Each face is not an individual, but an archetype: a person looking into the past and the future simultaneously.
The panel's shape is vertical, narrow, almost monumental, like an ancient obelisk or a tablet of fate. The color scheme is silvery-brown, matte, with an aged effect. Each profile is part of a single whole, one thought, one circle. This work is about cycles, about repetition, about being part of infinity. About how the past and the future are not two points, but a single line, closed within itself. Like a palindrome. Like life.
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